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Live IND Vs ZIM T20 WC Match | Live Cricket Match Today | IND vs ZIM 48th T20 1st innings #livescore
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Live IND Vs ZIM T20 WC Match | Live Cricket Match Today | IND vs ZIM 48th T20 1st innings #livescores TEAM NEWS: INDIA: - Rinku Singh had to fly back home to attend a family emergency, but is set to rejoin the squad in Chennai. -Axar Patel, India's T20I vice-captain, wasn't selected against South Africa despite being fully fit as the hosts persisted with Washington Sundar's off-spin, citing it as a tactical move, although it didn't work much and was a talking point after that heavy defeat. Axar is all set to replace Sundar in this all-important fixture. -Sanju Samson has been seen doing a lot of batting in the nets. He has been waiting for his opportunity, although he was a sure starter a few months back. He scored a breezy 22 against Namibia when Abhishek Sharma was ill. With both Abhishek and Tilak Varma struggling to do the job, it is all but certain that the Kerala keeper-batter will make a return to the XI. -It won't be a surprise if India go with another spin option in Kuldeep Yadav at Chepauk. ZIMBABWE: -They have all of their players fit. There is a very small chance they will bring the left-arm spinner Wellington Masakadza into the playing XI. Zimbabwe (Probable XI): Brian Bennett, Tadiwanashe Marumani (wk), Ryan Burl, Sikandar Raza (c), Tashinga Musekiwa, Tony Munyonga, Dion Myers, Brad Evans, Graeme Cremer, Richard Ngarava, Blessing Muzarabani India (Probable XI): Abhishek Sharma, Sanju Samson, Ishan Kishan (wk), Suryakumar Yadav (c), Hardik Pandya, Shivam Dube, Rinku Singh/Tilak Varma, Axar Patel, Arshdeep Singh/Kuldeep Yadav, Jasprit Bumrah, Varun Chakaravarthy Our channel is NOT affiliated with the IPL, BCCI, any IPL franchises, or sponsors in any way. This content is created solely for entertainment purposes All match details and score updates are sourced from publicly available information and live media coverage. Score Credit: crex.live Image credit: Bcci, star india, ICC Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use #livecommentary #indvszim #zimvsind #livescore



๋‹ค์‹œ๋Š” ๋ชป ๋›ด๋‹ค๋˜ ์ถ•๊ตฌ์„ ์ˆ˜...ํฌ๊ธฐํ•˜์ง€ ์•Š๋Š” ์ž์—๊ฒŒ   ๋ถ€์ฒ˜๋‹˜์€ ๋ฐ˜๋“œ์‹œ ์‘๋‹ตํ•˜์‹ ๋‹ค / The Buddha Had Other Plans ๐Ÿ™#buddhiststory #๋ถˆ๊ต์ด์•ผ๊ธฐ
๋‹ค์‹œ๋Š” ๋ชป ๋›ด๋‹ค๋˜ ์ถ•๊ตฌ์„ ์ˆ˜...ํฌ๊ธฐํ•˜์ง€ ์•Š๋Š” ์ž์—๊ฒŒ ๋ถ€์ฒ˜๋‹˜์€ ๋ฐ˜๋“œ์‹œ ์‘๋‹ตํ•˜์‹ ๋‹ค / The Buddha Had Other Plans ๐Ÿ™#buddhiststory #๋ถˆ๊ต์ด์•ผ๊ธฐ

๋ฒ ํŠธ๋‚จ์˜ ํ•œ ์ Š์€ ์ถ•๊ตฌ์„ ์ˆ˜๊ฐ€ ๊ฒฝ๊ธฐ ์ค‘ ๊ฐ•ํ•œ ํƒœํด๋กœ ๋‹ค๋ฆฌ๊ฐ€ ๋ถ€๋Ÿฌ์กŒ์Šต๋‹ˆ๋‹ค. ์˜์‚ฌ์˜ ๋ง์€ ๋‹จํ˜ธํ–ˆ์Šต๋‹ˆ๋‹ค. "๋‹ค์‹œ๋Š” ์ถ•๊ตฌ๋ฅผ ๋ชป ํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค." ๊ทธ๋Ÿฌ๋‚˜ ์ฒญ๋…„์€ ํฌ๊ธฐํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ํ‡ด์› ํ›„ ์ง‘์œผ๋กœ ๋Œ์•„์˜จ ๊ทธ๋Š” ๋งค์ผ ์•„์นจ ๋ถˆ์ƒ ์•ž์— ๋ฌด๋ฆŽ์„ ๊ฟ‡์—ˆ์Šต๋‹ˆ๋‹ค. ๋งค์ผ ์˜คํ›„ ๋ˆˆ๋ฌผ๊ณผ ๋•€์œผ๋กœ ์žฌํ™œ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์“ฐ๋Ÿฌ์ง€๋Š” ๋‚ ์—๋„, ํฌ๊ธฐํ•˜๊ณ  ์‹ถ์€ ๋‚ ์—๋„ โ€” ๋ถ€์ฒ˜๋‹˜์„ ๋ฐ”๋ผ๋ณด๋ฉฐ ๋‹ค์‹œ ์ผ์–ด์„ฐ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์–ด๋А ๊นŠ์€ ๋ฐค. ๋ถ€์ฒ˜๋‹˜์ด ์ฐพ์•„์˜ค์…จ์Šต๋‹ˆ๋‹ค. โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐ŸŒธ ๋ถˆ๊ต์˜ ๊ฐ€๋ฅด์นจ โ€” ์ด ์ด์•ผ๊ธฐ์—์„œ โœฆ ๊ณ (่‹ฆ) โ€” ๊ณ ํ†ต์€ ํ”ผํ•  ์ˆ˜ ์—†๋‹ค ๋ถ€๋Ÿฌ์ง„ ๋‹ค๋ฆฌ, ์˜์‚ฌ์˜ ์„ ๊ณ , ์žฌํ™œ์˜ ๊ณ ํ†ต โ€” ์‚ถ์—๋Š” ๋ฐ˜๋“œ์‹œ ๊ณ ํ†ต์ด ์ฐพ์•„์˜ต๋‹ˆ๋‹ค. ๋ถ€์ฒ˜๋‹˜์€ ์ด๊ฒƒ์„ ์ฒซ ๋ฒˆ์งธ ์ง„๋ฆฌ๋กœ ๊ฐ€๋ฅด์น˜์…จ์Šต๋‹ˆ๋‹ค. ๊ณ ํ†ต์€ ๋ฒŒ์ด ์•„๋‹™๋‹ˆ๋‹ค. ๊ณ ํ†ต์€ ์ˆ˜ํ–‰์˜ ์‹œ์ž‘์ž…๋‹ˆ๋‹ค. โœฆ ์ •์ง„(็ฒพ้€ฒ) โ€” ๋Š์ž„์—†๋Š” ๋…ธ๋ ฅ ๋งค์ผ ์“ฐ๋Ÿฌ์ง€๊ณ  ๋งค์ผ ์ผ์–ด์„œ๋Š” ๊ฒƒ. ํฌ๊ธฐํ•˜๊ณ  ์‹ถ์€ ๋งˆ์Œ์„ ์ด๊ธฐ๋Š” ๊ฒƒ. ์ด๊ฒƒ์ด ๋ถˆ๊ต์—์„œ ๋งํ•˜๋Š” ์ •์ง„(็ฒพ้€ฒ)์ž…๋‹ˆ๋‹ค. ๋ถ€์ฒ˜๋‹˜์€ ํŽธํ•œ ์ž์—๊ฒŒ๊ฐ€ ์•„๋‹ˆ๋ผ ๋๊นŒ์ง€ ๋…ธ๋ ฅํ•˜๋Š” ์ž์—๊ฒŒ ์‘๋‹ตํ•˜์‹ญ๋‹ˆ๋‹ค. โœฆ ์‹ ์‹ฌ(ไฟกๅฟƒ) โ€” ํ”๋“ค๋ฆฌ์ง€ ์•Š๋Š” ๋ฏฟ์Œ ๋ชธ์ด ๋ถ€์„œ์ง€๋Š” ๊ณ ํ†ต ์†์—์„œ๋„ ๋งค์ผ ๋ถˆ์ƒ ์•ž์— ๋ฌด๋ฆŽ์„ ๊ฟ‡๋Š” ๊ฒƒ. ์ด๊ฒƒ์ด ์‹ ์‹ฌ์ž…๋‹ˆ๋‹ค. ์‹ ์‹ฌ์€ ๊ธฐ์ ์ด ์ผ์–ด๋‚œ ํ›„์— ์ƒ๊ธฐ๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค. ๊ธฐ์ ์ด ์ผ์–ด๋‚˜๊ธฐ ์ „์— ์ด๋ฏธ ์กด์žฌํ•ด์•ผ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. โœฆ ์ž๋น„(ๆ…ˆๆ‚ฒ) โ€” ๋ถ€์ฒ˜๋‹˜์˜ ๋ฌดํ•œํ•œ ์‚ฌ๋ž‘ ๋ถ€์ฒ˜๋‹˜์€ ํฌ๊ธฐํ•˜์ง€ ์•Š๋Š” ์ž๋ฅผ ์™ธ๋ฉดํ•˜์ง€ ์•Š์œผ์‹ญ๋‹ˆ๋‹ค. ๊นŠ์€ ๋ฐค, ์•„๋ฌด๋„ ๋ชจ๋ฅด๊ฒŒ, ๊ณ ํ†ต๋ฐ›๋Š” ์ž์˜ ๊ณ์— ์ฐพ์•„์˜ค์‹œ๋Š” ๊ฒƒ โ€” ์ด๊ฒƒ์ด ๋ถ€์ฒ˜๋‹˜์˜ ์ž๋น„์ž…๋‹ˆ๋‹ค. โœฆ ๊ฐ€ํ”ผ(ๅŠ ่ขซ) โ€” ๋ถˆ๊ฐ€์‚ฌ์˜ํ•œ ์ถ•๋ณต ์ธ๊ฐ„์˜ ํž˜์œผ๋กœ๋Š” ๋ถˆ๊ฐ€๋Šฅํ•œ ๊ฒƒ๋„ ๋ถ€์ฒ˜๋‹˜์˜ ๊ฐ€ํ”ผ๋กœ ๊ฐ€๋Šฅํ•ด์ง‘๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฐ€ํ”ผ๋Š” ์‹ ์‹ฌ ์—†์ด ์˜ค์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๋ฏฟ์Œ์ด ๊ฐ€ํ”ผ๋ฅผ ๋ถ€๋ฆ…๋‹ˆ๋‹ค. โœฆ ํšŒํ–ฅ(ๅปปๅ‘) โ€” ์˜๊ด‘์„ ๋Œ๋ฆผ ๊ฒฐ์Šน๊ณจ์„ ๋„ฃ๊ณ  ๋ฌด๋ฆŽ์„ ๊ฟ‡์€ ์ฒญ๋…„. ๊ทธ๋Š” ์ž์‹ ์˜ ์˜๊ด‘์„ ๋ถ€์ฒ˜๋‹˜๊ป˜ ๋Œ๋ ธ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์ด ํšŒํ–ฅ์ž…๋‹ˆ๋‹ค. ๋ฐ›์€ ๊ฒƒ์„ ๊ฐ์‚ฌ๋กœ ๋Œ๋ ค๋“œ๋ฆฌ๋Š” ๊ฒƒ. โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐Ÿ“ฟ ์ง€๊ธˆ ํฌ๊ธฐํ•˜๊ณ  ์‹ถ์œผ์‹ ๊ฐ€์š”? ์“ฐ๋Ÿฌ์ ธ๋„ ๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค. ๋ถ€์ฒ˜๋‹˜์€ ์“ฐ๋Ÿฌ์ง„ ์ž๋ฆฌ์—์„œ๋„ ์šฐ๋ฆฌ๋ฅผ ๋ณด๊ณ  ๊ณ„์‹ญ๋‹ˆ๋‹ค. ๋‹ค์‹œ ํ•œ ๋ฒˆ ๋ฌด๋ฆŽ์„ ๊ฟ‡์œผ์„ธ์š”. ๊ทธ๊ฒƒ์œผ๋กœ ์ถฉ๋ถ„ํ•ฉ๋‹ˆ๋‹ค. ๐Ÿ™ ์ด ์˜์ƒ์ด ๊ฐ๋™์ด์…จ๋‹ค๋ฉด ๋Œ“๊ธ€๋กœ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ด์•ผ๊ธฐ๋ฅผ ๋‚˜๋ˆ ์ฃผ์„ธ์š” ๐Ÿ’ฌ โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐ŸŽฌ ์˜์ƒ ์ •๋ณด ๋ฐฐ๊ฒฝ: ๋ฒ ํŠธ๋‚จ ์ถ•๊ตฌ์žฅ / ๋ณ‘์› / ๊ฐ€์ •์ง‘ ํ˜•์‹: ๋Œ€์‚ฌ ์—†๋Š” ๋น„์ฃผ์–ผ ์Šคํ† ๋ฆฌํ…”๋ง ์Šคํƒ€์ผ: ํ•˜์ดํผ ๋ฆฌ์–ผ๋ฆฌ์ฆ˜ ์‹œ๋„ค๋งˆํ‹ฑ A young Vietnamese footballer's leg was shattered in a brutal tackle. The doctor's verdict was final: "You may never play again." But he refused to accept it. After leaving the hospital, he returned home โ€” to a small room, a worn rehabilitation mat, and an aged wooden Buddha statue that had watched over his family for generations. Every morning: prayer. Every afternoon: rehabilitation. Every day he fell. Every day he looked at the Buddha. Every day he stood back up. Then one night โ€” while he slept โ€” the Buddha came to him. โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐ŸŒธ The Buddhist Teachings in This Story โœฆ Dukkha / ๊ณ  (่‹ฆ) โ€” Suffering A broken leg. A doctor's verdict. The agony of rehabilitation. The Buddha's First Noble Truth tells us: suffering is inevitable. It is not punishment. It is not failure. It is the beginning of the path. โœฆ Viriya / ์ •์ง„ (็ฒพ้€ฒ) โ€” Right Effort To fall every day and rise every day. To choose to continue when the body says stop. This is Viriya โ€” right effort โ€” one of the Noble Eightfold Path's core teachings. The Buddha does not respond to comfort. He responds to effort. โœฆ Saddha / ์‹ ์‹ฌ (ไฟกๅฟƒ) โ€” Faith To kneel before the Buddha when your body is broken. To pray when prayer seems useless. This is Saddha โ€” faith. Faith does not come after the miracle. It must exist before โ€” and that is exactly what makes it faith. โœฆ Karuna / ์ž๋น„ (ๆ…ˆๆ‚ฒ) โ€” Compassion The Buddha does not abandon those who do not abandon themselves. To come in the deep of night, unseen, unannounced, to kneel beside a suffering person โ€” this is the compassion that has no limit and no condition. โœฆ Adhitthana / ๊ฐ€ํ”ผ (ๅŠ ่ขซ) โ€” Grace and Blessing What human effort cannot achieve, divine compassion can. But grace does not come without faith. Faith calls the grace. Grace answers the faith. โœฆ Parinamana / ํšŒํ–ฅ (ๅปปๅ‘) โ€” Dedication He scored the winning goal. He did not celebrate. He knelt. He returned his victory to the one who gave it. This is Parinamana โ€” the dedication of merit, the completion of the circle. โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐Ÿ“ฟ Are you ready to give up on something right now? It is okay to fall. The Buddha sees you even on the floor. Kneel one more time. That is enough. That is everything. ๐Ÿ™ If this story moved you, share it with someone who needs to hear that giving up is not the only option. ๐Ÿ’ฌ โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€ ๐ŸŽฌ Video Information Setting: Vietnam โ€” football stadium, hospital, family home Format: Wordless visual storytelling Style: Hyper-realistic cinematic โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€โ”€




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